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Jordi Savall & Le Concert des Nations - Le Concert Spirituel: Au temps de Louis XV (2010)
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Le Concert Spirituel was essentially a Parisian concert series held at the Tuileries Palace, begun in 1725 as an opportunity for musical performances during Lent and other Holy Days when secular musical activities like opera were forbidden. The concerts continued until 1790, just after the beginning of the French Revolution. The music of French composers filled most of the programs, but German and Italian music was occasionally heard, and this CD includes five pieces by Corelli, Telemann, and Rameau that were known to have been played at the concerts. Jordi Savall and Le Concert des Nations, one of the many stellar ensembles he is responsible for founding, play these works with such surging vibrancy that anyone who thinks of the Baroque as a period of stiff formality would be disabused of that notion on hearing these performances.

The Suite from the opera-ballet Les Indes galantes, by Rameau, the most forward-looking of the three composers, is a terrific example of how Baroque music can be dignified and at the same time light-hearted to the point of being humorous. The performers play it with obvious delight in its droll depictions of "exotic" foreign cultures and with appropriately flamboyant abandon. The Overture to Telemann's Suite in E minor for two flutes and strings is an example of the exceptional sophistication and musicality Savall and his ensemble bring to the music. Their close attention to the movement of the music is evident in the subtle variations in tempo that give it such a buoyant grace. Throughout, the musicians play with affectionate care and attentiveness to the shape and direction of each phrase. It practically goes without saying that this group's tone quality is impeccable and full, and that the players listen to each other so carefully that the balance is always beautiful and the ensemble seems to breathe as a single organism. Savall is an agile and sonorous soloist in the Telemann Suite in D for viola da gamba and strings. As is the case with all its releases, Alia Vox's hybrid SACD is beautifully produced and the sound is clean, with a springy liveliness.

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ARCANGELO CORELLI (1653-1713)
Concerto Grosso, en Re Majeur Op. 6, núm. 4

1-2 Adagio-Allegro
3 Adagio
4 Vivace
5-6 Allegro-Allegro

GEORG PHILIPP TELEMANN (1681-1767)
Ouverture avec la Suite en Ré Majeur pour Viola da Gamba et Cordes TWV 55:D6

7 Ouverture
8 La Trompette
9 Sarabande
10 Rondeau
11 Bourrée
12 Courante-Double
13 Gigue

GEORG PHILIPP TELEMANN
CONCERTO IN LA MINORE per Flauto Dolce, Viola di Gamba, Corde e Fondamento TWV 52:a1

14-15 Grave-Allegro
16 Dolce
17 Allegro

GEORG PHILIPP TELEMANN
OUVERTURE AVEC LA SUITE EN MI MINEUR, TAFELMUSIK à deux flûtes et cordes (première production) TWV 55:e1

18 Ouverture: Lentement - Vite – Lentement
19 Réjouissance
20 Rondeau
21 Loure
22 Passepied
23 Air; un peu vivement
24 Gigue

JEAN-PHILIPPE RAMEAU (1683-1764)
Les Indes Galantes. Suites des airs à Jouer (Symphonies)

25 Air pour les guerriers portans les Drapeaux
26 Air pour les Amants qui suivent Bellone Lent, tendrement-Vite
27 Orage
28 Air pour les Esclaves Africains
29 Air pour Borée et la Rose Très vite
30 2eme. Air pour Zéphire
31 Tambourins I et II

*2010 Alia Vox | AVSA 9877


Personnel:
Pierre Hamon flauto
Enrico Onofri violino concertino
Marc Hantaï, Charles Zebley, Yi-Fen Chen traverso
Riccardo Minasi, Mauro Lopes, Olivia Centurione violini
Balázs Máté violoncello

LE CONCERT DES NATIONS

JORDI SAVALL viole de gambe et direction