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„An Hour Before It's Dark” to nie tylko tytuł nowego albumu, ale temat łączący wszystkie utwory, które się na nim znalazły. Czy to ostatnia godzina, kiedy mogłeś bawić się dworze jako dziecko, nawiązanie do walki z czasem w związku z kryzysem klimatycznym, czy też ostatnie minuty życia człowieka - interpretacji nie brakuje.

Album „An Hour Before It’s Dark” został nagrany w Real World Studios Petera Gabriela.


“No matter how corrupt, greedy, and heartless our government, our corporations, our media, and our religious & charitable institutions may become, the music will still be wonderful.” ― Kurt Vonnegut

With ‘An Hour Before It’s Dark’, Marillion release one of their most upbeat albums of their career while, at the same time, they once again do not shy away from uncomfortable topics, reflect on their own behaviour, and put their finger in the wounds of time.

The band’s 20th studio album, Like its predecessor, 2016’s critically acclaimed and chart-topping album ‘F*** Everyone And Run (F E A R)’, was recorded at Peter Gabriel’s Real World Studios. But, whereas it’s predecessor was more a dark and condemning comment on the government and the bureaucrats who ran the country, this new release deals with the pandemic in a much more hopeful and enriching manner leading to the band calling it their most upbeat album in quite a while.

There’s no getting away from it, a new Marillion album is always a great occasion and a cause for celebration but the release of ‘An Hour Before It’s Dark’ coincides with us hopefully seeing the pandemic diminishing rapidly and a sense of normality returning to everyday life and mirrors this new found feeling of optimism and promise.

I’d been one of the lucky ones who saw the band on their ‘Light At The End Of The Tunnel’ tour (in fact, I saw them on at the first gig in Hull) so my appetite had been whetted by already hearing the wonderfully dramatic Be Hard On Yourself, albeit in a live setting. Nine minutes of intense but fast paced music with Steve Hogarth’s distinctive vocals at the centre of this impressive track, it certainly opens the album in style. Reprogram The Gene delivers a powerful missive with the hard edged guitar and drums driving the song along, aided and abetted by a sharp suited bassline and keyboards. Steve Rothery has been given free reign to deliver some mighty power chords and Ian Mosley delivers an utterly mesmerising performance behind the drum kit. There’s a determined and catchy feel to this song and it resonates throughout the album as the short, sweet instrumental, Only A Kiss segues into the second single from the album, the irrepressibly infectious Murder Machines, a song that was born in the challenging times of lockdown and social distancing and has become so much more than just a mirror of our times, more than a song that deals with the precious as well as dark sides of human relationships. Steve Hogarth is in fine voice, especially on the buoyant chorus and Rothery’s guitar just sings perfectly.

Three songs into the album and I’m already hooked, it’s a record of, and for, its time, emotive and emotional and that is felt throughout the wistfully brilliant The Crow And The Nightingale, a nostalgic nod to Leonard Cohen and one of my favourite tracks on the album, one that just flows beautifully and shows the band’s thoughtful and contemplative side impeccably. That reflective tone carries on into the sublime Sierra Leone, another great song that sees the band in a storytelling frame of mind. This is a set of musicians who are playing at a ridiculously high level and delivering some of their best songs of a long and illustrious career, a band who are comfortable with themselves and their music and it is really obvious. This track builds gradually, the tempo increasing almost imperceptibly, before Rothery’s guitar breaks out, accompanied by Hogarth’s ever more dynamic voice. There are lulls as it ebbs and flows elegantly, always holding your attention, a fine piece of music indeed.

This superb and entrancing album comes to a close with one of Marillion’s finest ever tracks. In a long career of superlatives Care has to be right there at the top, a three part song that plumbs the depths of despair before rising through to end in promise and optimism. Pete Trewavas shows he is still one of the best bass players around and Rothery’s guitar is just transcendent, he really is at the top of his game. Mark Kelly delivers some bewitching keys throughout the album but none more so than here. This track really showcases the band’s impressive song writing abilities. Impassioned and passionate and, ultimately, uplifting, it is, possibly, the most perfect song they have ever written.

I have been a fan of Marillion for over three decades and, in a career of superlatives, ‘An Hour Before It’s Dark’ can truly be seen as one of their most accomplished albums. It is an outstanding piece of music that the band should be incredibly proud of and, even though we are only in February, it will take something amazing to knock it off the top of my album of the year list.

Progradar

1. Be Hard on Yourself (I) The Tear in the Big Picture (03:52)
2. Be Hard on Yourself (II) Lust for Luxury (02:07)
3. Be Hard on Yourself (III) You Can Learn (03:28)
4. Reprogram the Gene (I) Invincible (03:31)
5. Reprogram the Gene (II) Trouble-Free Life (02:00)
6. Reprogram the Gene (III) A Cure for Us? (01:29)
7. Only a Kiss (00:39)
8. Murder Machines (04:20)
9. The Crow and the Nightingale (06:35)
10. Sierra Leone (I) Chance in a Million (01:32)
11. Sierra Leone (II) The White Sand (00:53)
12. Sierra Leone (III) The Diamond (03:29)
13. Sierra Leone (IV) The Blue Warm Air (02:23)
14. Sierra Leone (V) More Than Treasure (02:34)
15. Care (I) Maintenance Drugs (04:37)
16. Care (II) An Hour Before It’S Dark (02:27)
17. Care (III) Every Cell (03:18)
18. Care (IV) Angels on Earth (04:56)

https://www.youtube.com/watch?v=2IkXFx9LJDQ


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