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...( Info )...
AUTORZY: J. S. Bach, Haendel, Monteverdi, Scarlatti, Mendelssohn, Bernstein, Beethoven, Mozart, Rossini, Vivaldi, Poulenc, Palestrina
TYTUŁ: Sacred Music [30CD]
GATUNEK: Classical, Baroque, Religijna, EAP
ROK WYDANIA: 2009
CZAS: 34:59:53
...( TrackList )...
Lista albumów i tytułów:
DISCOGS: https://www.discogs.com/Variuos-Sacred-Music-Cornerstone-Works-Of-Sacred-Music/release/3261949
1. Requiem Mass by Anonymous
Conductor: Alfred Deller
Orchestra/Ensemble: Deller Consort
Period: Medieval
2. Te Deum in D major, H 146 by Marc-Antoine Charpentier
Conductor: William Christie
Orchestra/Ensemble: Les Arts Florissants
Period: Baroque
Written: circa ?1690; France
3. Hemmt eure Tränenflut by Nicolaus Bruhns
Conductor: Konrad Junghänel
Orchestra/Ensemble: Cantus Cölln
Period: Baroque
Written: 17th Century; Germany
4. Stabat Mater in F minor, RV 621 by Antonio Vivaldi
Performer: Andreas Scholl (Countertenor)
Conductor: Chiara Banchini
Orchestra/Ensemble: Ensemble 415
Period: Baroque
Written: Venice, Italy
5. Stabat Mater in G minor, Op. 61/G 532 by Luigi Boccherini
Performer: Agnès Mellon (Soprano)
Conductor: Chiara Banchini
Orchestra/Ensemble: Ensemble 415
Period: Classical
Written: 1781; Spain
6. Messe de Nostre Dame by Guillaume de Machaut
Conductor: Paul Hillier
Orchestra/Ensemble: Orlando Consort, Estonian Philharmonic Chamber Choir
Period: Medieval
Written: 14th Century; France
7. Missa "Tous les regretz" by Orlando de Lassus
Conductor: Paul van Nevel
Orchestra/Ensemble: Huelgas Ensemble
Period: Renaissance
Written: by 1577
8. Ecce Homo by Guillaume Bouzignac
Conductor: William Christie
Orchestra/Ensemble: Les Arts Florissants, Les Pages de la Chapelle
Period: Baroque
Written: 17th Century; France
9. Ha, Plange by Guillaume Bouzignac
Performer: Kenneth Weiss (Organ)
Conductor: William Christie
Orchestra/Ensemble: Les Arts Florissants
Period: Baroque
Written: 17th Century; France
10. Missa "Viri Galilaei" by Giovanni Palestrina
Conductor: Philippe Herreweghe
Orchestra/Ensemble: Ensemble Organum, Royal Chapel European Vocal
Period: Renaissance
Written: after 1569; Italy
11. Mass for 4 Voices by William Byrd
Conductor: Paul Hillier
Orchestra/Ensemble: Hilliard Ensemble
Period: Renaissance
Written: circa 1592-1593; England
12. Missa brevis in F major, BWV 233 by Johann Sebastian Bach
Conductor: Konrad Junghänel
Orchestra/Ensemble: Cantus Cölln
Period: Baroque
Written: after 1735; Leipzig, Germany
13. Leçons de ténèbres (9): Second lesson for Thursday, H 103 by Marc-Antoine Charpentier
Conductor: René Jacobs
Orchestra/Ensemble: Concerto Vocale
Period: Baroque
Written: circa ?1675; France
14. Leçons de tenébres: Troisième leçon by François Couperin
Conductor: René Jacobs
Orchestra/Ensemble: Concerto Vocale
Period: Baroque
Written: by 1713; France
15. Psalm Tunes (9) for Mister Parker by Thomas Tallis
Orchestra/Ensemble: Stile Antico
Period: Renaissance
Written: by 1567; England
16. Musicalische Exequien, Op. 7: Nacket bin ich..., SWV 279 by Heinrich Schütz
Conductor: Philippe Herreweghe
Orchestra/Ensemble: La Chapelle Royale Paris
Period: Baroque
Written: 1636; Germany
17. Tant que vivray en aage florissant by Claude de Sermisy
Conductor: Dominique Visse
Orchestra/Ensemble: Clément Janequin Ensemble
Period: Renaissance
Written: 16th Century; France
18. Christmas Oratorio, BWV 248 by Johann Sebastian Bach
Performer: Dorothea Röschmann (Soprano), Andreas Scholl (Countertenor), Werner Güra (Baritone),
Klaus Häger (Bass)
Conductor: René Jacobs
Orchestra/Ensemble: Berlin RIAS Chamber Chorus, Academy for Ancient Music Berlin
Period: Baroque
Written: 1734-1735; Leipzig, Germany
Date of Recording: 1997
Language: German
19. Messiah, HWV 56 by George Frideric Handel
Performer: Sandrine Piau (Soprano), Mark Padmore (Tenor), Andreas Scholl (Countertenor),
Barbara Schlick (Soprano), Nathan Berg (Bass Baritone)
Conductor: William Christie
Orchestra/Ensemble: Les Arts Florissants
Period: Baroque
Written: 1742; Dublin, Ireland
Date of Recording: 12/1993
Length: 142 Minutes 40 Secs.
Language: English
20. Vespro della Beata Vergine by Claudio Monteverdi
Performer: Peter Kooy (Bass), David Thomas (Bass), Guillemette Laurens (Soprano),
William Kendall (Tenor), Agnès Mellon (Soprano), Vincent Darras (Counter Tenor),
Howard Crook (Tenor), Gerard O'Byrne (Tenor)
Conductor: Philippe Herreweghe
Orchestra/Ensemble: Ghent Collegium Vocale, La Chapelle Royale Paris, Les Sacqueboutiers du Toulouse
Period: Baroque
Written: by 1610; Mantua, Italy
Length: 89 Minutes 27 Secs.
Language: Latin
21. Cain overo Il primo omicidio by Alessandro Scarlatti
Performer: Antonio Abete (Bass), Bernarda Fink (Mezzo Soprano), Graciela Oddone (Mezzo Soprano),
Dorothea Röschmann (Soprano), Richard Croft (Tenor), René Jacobs (Alto)
Conductor: René Jacobs
Orchestra/Ensemble: Academy for Ancient Music Berlin
Period: Baroque
Written: 1707; Venice, Italy
22. Saint Paul, Op. 36 by Felix Mendelssohn
Performer: Melanie Diener (Soprano), Annette Markert (Mezzo Soprano), Matthias Goerne (Baritone),
James Taylor (Tenor)
Conductor: Philippe Herreweghe
Orchestra/Ensemble: Ghent Collegium Vocale, La Chapelle Royale Chorus Paris, Champs-Élysées Orchestra
Period: Romantic
Written: 1836; Germany
Date of Recording: 10/1995
Venue: Live Auditorium Stravinsky, Montreux, France
Length: 128 Minutes 0 Secs.
Language: German
23. Mass by Leonard Bernstein
Performer: Jerry Hadley (Tenor), Sigurd Brauns (Organ), Tobias Lehmann (Percussion)
Conductor: Kent Nagano
Orchestra/Ensemble: Berlin Cathedral Chorus, Berlin Radio Chorus, Deutsches Symphonie-Orchester Berlin ...
Period: 20th Century
Written: 1971; USA
Length: 105 Minutes 42 Secs.
24. Missa solemnis in D major, Op. 123 by Ludwig van Beethoven
Performer: Rosa Mannion (Soprano), Birgit Remmert (Mezzo Soprano), Cornelius Hauptmann (Bass),
James Taylor (Tenor), Alessandro Moccia (Violin)
Conductor: Philippe Herreweghe
Orchestra/Ensemble: Ghent Collegium Vocale, La Chapelle Royale Chorus Paris, Champs-Élysées Orchestra
Period: Classical
Written: 1823; Vienna, Austria
Date of Recording: 02/1995
Venue: L'Auditorium Stravinski, Montreux
Length: 77 Minutes 23 Secs.
Language: Latin
25. Requiem in D minor, K 626 by Wolfgang Amadeus Mozart
Performer: Sibylla Rubens (Soprano), Annette Markert (Alto), Ian Bostridge (Tenor),
Hanno Müller-Brachmann (Bass Baritone)
Conductor: Philippe Herreweghe
Orchestra/Ensemble: La Chapelle Royale Paris, Collegium Vocale, Champs-Élysées Orchestra
Period: Classical
Written: 1791; Vienna, Austria
Language: Latin
26. German Requiem, Op. 45 by Johannes Brahms
Performer: Christiane Oelze (Soprano), Gerald Finley (Baritone)
Conductor: Philippe Herreweghe
Orchestra/Ensemble: Collegium Vocale, Champs-Élysées Orchestra, La Chapelle Royale Paris
Period: Romantic
Written: 1854-1868; Austria
Date of Recording: 1/1996
Venue: Live Montreux, Switzerland
27. Requiem, Op. 48 by Gabriel Fauré
Performer: Agnès Mellon (Soprano), Peter Kooy (Bass)
Conductor: Philippe Herreweghe
Orchestra/Ensemble: La Chapelle Royale Chorus Paris, Musique Oblique
Period: Romantic
Written: 1887-1890; France
28. Requiem, Op. 9 by Maurice Duruflé
Performer: Richard Pinel (Organ), Peter Harvey (Bass), Magid El-Bushra (Alto),
Mark Chaundy (Tenor), Martin Ford (Organ)
Conductor: Bill Grayston Ives
Orchestra/Ensemble: English Sinfonia, Magdalen College Choir Oxford
Period: 20th Century
Written: 1947; Paris, France
Length: 33 Minutes 19 Secs.
29. Stabat Mater by Giovanni Battista Pergolesi
Performer: René Jacobs (Countertenor), Sebastian Hennig (Boy Soprano)
Conductor: René Jacobs
Orchestra/Ensemble: Concerto Vocale
Period: Baroque
Written: 1736; Pozzuoli, Italy
Language: Latin
30. Stabat mater by Gioachino Rossini
Performer: Bruce Fowler (Tenor), Krassimira Stoyanova (Soprano), Petra Lang (Mezzo Soprano),
Daniel Borowski (Bass)
Conductor: Marcus Creed
Orchestra/Ensemble: Berlin RIAS Chamber Chorus, Academy for Ancient Music Berlin, Berlin RIAS Chamber Orchestra
Period: Romantic
Written: 1832/1842; Italy
31. Vespers, Op. 37 by Sergei Rachmaninov
Performer: Iris Oja (Alto), Mati Turi (Tenor)
Conductor: Paul Hillier
Orchestra/Ensemble: Estonian Philharmonic Chamber Choir
Period: 20th Century
Written: 1915; Russia
Venue: Dome Church, Haapsalu, Estonia
Length: 53 Minutes 56 Secs.
Language: Russian
32. Missa super "La bataille" by Clément Janequin
Conductor: Dominique Visse
Orchestra/Ensemble: Clément Janequin Ensemble, Les Sacqueboutiers du Toulouse
Period: Renaissance
Written: 1532; France
Date of Recording: 12/1994
Length: 22 Minutes 13 Secs.
Language: Latin
33. Motets (4) pour un temps de pénitence: no 1, Timor et tremor by Francis Poulenc
Conductor: Marcus Creed
Orchestra/Ensemble: Berlin RIAS Chamber Chorus
Period: 20th Century
Written: 1938-1939; France
Date of Recording: 1995
Length: 3 Minutes 17 Secs.
Language: Latin
34. Motets (4) pour un temps de pénitence: no 2, Vinea mea electa by Francis Poulenc
Conductor: Marcus Creed
Orchestra/Ensemble: Berlin RIAS Chamber Chorus
Period: 20th Century
Written: 1938-1939; France
Date of Recording: 1995
Length: 3 Minutes 36 Secs.
Language: Latin
35. Motets (4) pour un temps de pénitence: no 3, Tenebrae factae sunt by Francis Poulenc
Conductor: Marcus Creed
Orchestra/Ensemble: Berlin RIAS Chamber Chorus
Period: 20th Century
Written: 1938-1939; France
Date of Recording: 1995
Length: 4 Minutes 37 Secs.
Language: Latin
36. Motets (4) pour un temps de pénitence: no 4, Tristis est anima mea by Francis Poulenc
Performer: Stephanie Moller (Soprano)
Conductor: Marcus Creed
Orchestra/Ensemble: Berlin RIAS Chamber Chorus
Period: 20th Century
Written: 1938-1939; France
Date of Recording: 1995
Length: 3 Minutes 32 Secs.
Language: Latin
37. Motets (4) pour le temps de Noël: no 1, O magnum mysterium by Francis Poulenc
Conductor: Marcus Creed
Orchestra/Ensemble: Berlin RIAS Chamber Chorus
Period: 20th Century
Written: 1951-1952; France
Date of Recording: 1995
Length: 3 Minutes 4 Secs.
Language: Latin
38. Motets (4) pour le temps de Noël: no 2, Quem vidistis pastores by Francis Poulenc
Conductor: Marcus Creed
Orchestra/Ensemble: Berlin RIAS Chamber Chorus
Period: 20th Century
Written: 1951; France
Date of Recording: 1995
Length: 2 Minutes 41 Secs.
Language: Latin
39. Motets (4) pour le temps de Noël: no 3, Videntes stellam by Francis Poulenc
Conductor: Marcus Creed
Orchestra/Ensemble: Berlin RIAS Chamber Chorus
Period: 20th Century
Written: 1951; France
Date of Recording: 1995
Length: 3 Minutes 27 Secs.
Language: Latin
40. Motets (4) pour le temps de Noël: no 4, Hodie Christus natus est by Francis Poulenc
Conductor: Marcus Creed
Orchestra/Ensemble: Berlin RIAS Chamber Chorus
Period: 20th Century
Written: 1952; France
Date of Recording: 1995
Length: 2 Minutes 23 Secs.
Language: Latin
41. Mass in G major by Francis Poulenc
Performer: Stephanie Moller (Soprano)
Conductor: Marcus Creed
Orchestra/Ensemble: Berlin RIAS Chamber Chorus
Period: 20th Century
Written: 1937; France
Date of Recording: 1995
Length: 18 Minutes 11 Secs.
Language: Latin
42. Sacred Pieces (3), Op. 23: no 3, Mitten wir im Leben sind by Felix Mendelssohn
Conductor: Marcus Creed
Orchestra/Ensemble: Berlin RIAS Chamber Chorus
Period: Romantic
Written: 1830; Germany
Language: German
43. English Church Pieces (3), Op. 69 by Felix Mendelssohn
Conductor: Marcus Creed
Orchestra/Ensemble: Berlin RIAS Chamber Chorus
Period: Romantic
Written: 1847; Germany
Language: German
44. Psalms (3), Op. 78 by Felix Mendelssohn
Conductor: Marcus Creed
Orchestra/Ensemble: Berlin RIAS Chamber Chorus
Period: Romantic
Written: 1843-1844; Germany
Language: German
45. Psalm 100 "Jauchzet dem Herrn" by Felix Mendelssohn
Conductor: Marcus Creed
Orchestra/Ensemble: Berlin RIAS Chamber Chorus
Period: Romantic
Written: 1844; Germany
Language: German
46. Die deutsche Liturgie: Kyrie by Felix Mendelssohn
Conductor: Marcus Creed
Orchestra/Ensemble: Berlin RIAS Chamber Chorus
Period: Romantic
Written: 1846; Germany
Language: German
47. Die deutsche Liturgie: Ehre sei Gott in der Höhe by Felix Mendelssohn
Conductor: Marcus Creed
Orchestra/Ensemble: Berlin RIAS Chamber Chorus
Period: Romantic
Written: 1846; Germany
Language: German
48. Zum Abendsegen by Felix Mendelssohn
Conductor: Marcus Creed
Orchestra/Ensemble: Berlin RIAS Chamber Chorus
Period: Romantic
Written: 19th Century; Germany
Language: German
49. Vêpres ventiennes pour la naissance de Louis XIV by Giovanni Rovetta
Conductor: Konrad Junghänel
Orchestra/Ensemble: Cantus Cölln
Period: Baroque
Written: 1638; Venice, Italy
Language: Latin
50. Cherubic Song no. 7 by Dimitri Bortniansky
Performer: Vladimir Miller (Bass)
Conductor: Paul Hillier
Orchestra/Ensemble: Estonian Philharmonic Chamber Choir
Period: Classical
Written: Russia
Length: 4 Minutes 0 Secs.
51. In the Flesh Thou Didst Fall Asleep by Baldassare Galuppi
Performer: Vladimir Miller (Bass)
Conductor: Paul Hillier
Orchestra/Ensemble: Estonian Philharmonic Chamber Choir
Period: Classical
Written: 1765-1768; Russia
Length: 2 Minutes 52 Secs.
52. O Most Holy Maiden Mary by Anonymous
Performer: Vladimir Miller (Bass), Toomas Tohert (Tenor), Uku Joller (Bass),
Risto Joost (Alto), Tiit Kogermann (Tenor)
Conductor: Paul Hillier
Orchestra/Ensemble: Estonian Philharmonic Chamber Choir
Written: Russia
Length: 11 Minutes 9 Secs.
53. Let my prayer arise by Dimitri Bortniansky
Performer: Vladimir Miller (Bass)
Conductor: Paul Hillier
Orchestra/Ensemble: Estonian Philharmonic Chamber Choir
Period: Classical
Written: Russia
Length: 7 Minutes 0 Secs.
54. Liturgy of the Presanctified Gifts: Now the powers of heaven by Giuseppe Sarti
Performer: Vladimir Miller (Bass)
Conductor: Paul Hillier
Orchestra/Ensemble: Estonian Philharmonic Chamber Choir
Period: Classical
Written: 18th Century; Russia
Length: 5 Minutes 41 Secs.
55. I raise my eyes toward the mountains by Dimitri Bortniansky
Performer: Vladimir Miller (Bass)
Conductor: Paul Hillier
Orchestra/Ensemble: Estonian Philharmonic Chamber Choir
Period: Classical
Written: Russia
Length: 6 Minutes 16 Secs.
56. Praise the Name of the Lord by Nikolai Diletsky
Performer: Vladimir Miller (Bass)
Conductor: Paul Hillier
Orchestra/Ensemble: Estonian Philharmonic Chamber Choir
Period: Renaissance
Written: Ukraine
Length: 2 Minutes 6 Secs.
57. Sacred Concerto for Chorus no 27 "With my voice unto the Lord have I cried" by Dimitri Bortniansky
Performer: Allan Vurma (Bass), Kaia Galina Urb (Soprano), Mati Turi (Tenor),
Aarne Talvik (Bass), Juta Roopalu-Malk (Alto), Iris Oja (Alto),
Vladimir Miller (Bass), Tiit Kogermann (Tenor), Uku Joller (Bass),
Vilve Hepner (Soprano)
Conductor: Paul Hillier
Orchestra/Ensemble: Estonian Philharmonic Chamber Choir
Period: Classical
Written: Russia
Length: 9 Minutes 10 Secs.
58. By the rivers of Babylon by Artemi Lukyanovich Vedel
Performer: Allan Vurma (Bass), Kaia Galina Urb (Soprano), Mati Turi (Tenor),
Juta Roopalu-Malk (Alto), Iris Oja (Alto), Tiit Kogermann (Tenor),
Vladimir Miller (Bass), Uku Joller (Bass), Vilve Hepner (Soprano),
Külli Erimäe (Alto)
Conductor: Paul Hillier
Orchestra/Ensemble: Estonian Philharmonic Chamber Choir
Period: Classical
Written: Ukraine
Length: 10 Minutes 18 Secs.
59. Sacred Concerto for Chorus no 32 "O Lord, make me to know mine end" by Dimitri Bortniansky
Performer: Kaia Galina Urb (Soprano), Iris Oja (Alto), Mati Turi (Tenor),
Vladimir Miller (Bass), Allan Vurma (Bass)
Conductor: Paul Hillier
Orchestra/Ensemble: Estonian Philharmonic Chamber Choir
Period: Classical
Written: Russia
Length: 8 Minutes 15 Secs.
60. Glory - Only Begotten Son by Vasily Polikarp Titov
Performer: Aarne Talvik (Bass), Kaia Galina Urb (Soprano), Iris Oja (Alto),
Vladimir Miller (Bass), Juta Roopalu-Malk (Alto), Tiit Kogermann (Tenor),
Uku Joller (Bass), Vilve Hepner (Soprano), Mati Turi (Tenor)
Conductor: Paul Hillier
Orchestra/Ensemble: Estonian Philharmonic Chamber Choir
Period: Classical
Written: Russia
Length: 3 Minutes 22 Secs.
61. Ave Maria for 7 a cappella Voices in F major, WAB 6 by Anton Bruckner
Conductor: Philippe Herreweghe
Orchestra/Ensemble: Ghent Collegium Vocale, La Chapelle Royale Paris
Period: Romantic
Written: 1861; Linz, Austria
62. Locus iste in C major, WAB 23 by Anton Bruckner
Conductor: Philippe Herreweghe
Orchestra/Ensemble: Ghent Collegium Vocale, La Chapelle Royale Paris
Period: Romantic
Written: 1869; Vienna, Austria
Language: Latin
63. Os justi meditabitur sapientiam, WAB 30 by Anton Bruckner
Conductor: Philippe Herreweghe
Orchestra/Ensemble: Ghent Collegium Vocale, La Chapelle Royale Paris
Period: Romantic
Written: 1879; Linz, Austria
Language: Latin
64. Christus factus est in D minor, WAB 10 by Anton Bruckner
Conductor: Philippe Herreweghe
Orchestra/Ensemble: Ghent Collegium Vocale, La Chapelle Royale Paris
Period: Romantic
Written: 1879; Vienna, Austria
Language: Latin
65. Vexilla regis, WAB 51 by Anton Bruckner
Conductor: Philippe Herreweghe
Orchestra/Ensemble: Ghent Collegium Vocale, La Chapelle Royale Paris
Period: Romantic
Written: 1892; Vienna, Austria
Language: Latin
66. Super flumina Babylonis by Henri Du Mont
Performer: Guillemette Laurens (Mezzo Soprano), Howard Crook (Tenor), Henri Ledroit (Countertenor),
Peter Kooy (Bass), Ulrich Studer (Baritone)
Conductor: Philippe Herreweghe
Orchestra/Ensemble: La Chapelle Royale Paris
Period: Baroque
Written: 17th Century; France
67. Lamentatio Jeremiae prophetae, Op. 93: Excerpt(s) by Ernst Krenek
Conductor: Marcus Creed
Orchestra/Ensemble: Berlin RIAS Chamber Chorus
Period: 20th Century
Written: 1941-1942; USA
68. Remember not, Lord, our offences, Z 50 by Henry Purcell
Conductor: Philippe Herreweghe
Orchestra/Ensemble: Ghent Collegium Vocale
Period: Baroque
Written: circa 1680-1682; England
Tracklist
CD 01. CHANT OF THE EARLY CHRISTIANS
Ambrosian Chant
1.01 Lucernarium: Paravi lucernam Christo meo
1.02 Ingressa: Lux fulgebit hodie super nos
1.03 Psalmellus: Tecum principium in die virtutis tue
Old Roman Chant
1.04 Introït: Resurrexi
1.05 Offertoire: Terra tremuit
1.06 Alleluia: Epi si kyrie
Chant Beneventain
1.07 Ingressa
Mozarabic Chant
1.08 Presbiterus: Invocation sacerdotale d'introduction
1.09 Presbiterus: Gloria in excelsis Deo.
1.10 Prière eucharistique - Chorus: ad confractorium
1.11 Prière eucharistique - Presbiterus: Humiliate vos ad benediction
1.12 Prière eucharistique - Ad accedentes: Gustate et videte
Old Roman Chant
1.13 Ad processionem Kyrie
1.14 Alleluia - Versus: O kyrios evasileosen
CD 02. A MILLENIUM OF GREGORIAN CHANT
2.01 Universi qui te expectant
Missa da Requiem
2.02 Introït: Requiem aeternam
2.03 Kyrie eleison
2.04 Graduel: Requiem aeternam
2.05 Trait: Absolve, Domine,
2.06 Séquence: Dies irae,
2.07 Offertoire: Domine Jesu Christe
2.08 Sanctus
2.09 Agnus Dei
2.10 Communion: Lux aeterna
2.11 Répons: Libera me
2.12 Antienne: In paradisum
Mass From The Year 1000 (extracts)
2.13 Agnus Dei : omnipotens eterne
2.14 Communion Tropee: Corpus quod nunc/
2.15 Hymne: Cives Celestis Patrie
Codex Calixtinus (c. 1150)
2.16 Invitatoire: Regem regum dominum
2.17 Répons: Iacobe servorum
2.18 Offertoire: Ascendens ihesus in montem
Cistercian Chant
2.19 In timore Dei
2.20 Testamentum eternum
2.21 Dedit Dominus confessionem sancto suo
Magnus Liber Organi (12th Century)
2.22 Natus est rex
2.23 In natale
CD 03. THE BIRTH OF POLYPHONY (1100-1300)
12th-Century Polyphony In Aquitaine
3.01 Domine labia mea aperies
3.02 O primus homo corruit
3.03 Resonemus hoc natali
The Notre Dame School
3.04 Introït trope: Puer natus est
3.05 Kyrie
3.06 Léonin : Propter veritatem
3.07 [Gradual] Viderunt omnes V Notum fecit Dominus
3.08 In seculum longum
3.09 In seculum viellatoris
3.10 In seculum breve
3.11 In seculum d’Amiens longum
13th-century Marian Songs
3.12 Ave maria gracia plena
3.13 Pia mater gratie
3.14 Ave nobilis venerabilis
The Gradual Of Eleanor Of Brittany (13th & 14th centuries)
3.15 Orbis factor
An English Ladymass (13th & 14th centuries)
3.16 Kyria christifera
3.17 Gloria
3.18 Sanctus & Benedictus
3.19 Virtute numinis
CD 04. THE POLYPHONIC MOTET FROM AES ANTIQUA TO THE RENAISSANCE
Ars Antiqua
England In The 14th Century
4.01 Virgo flagellatur
4.02 Mors
4.03 Campanis cum cymbalis
4.04 Worldes blisse have good day
4.05 Valde mane diluculo
4.06 Ovet mundus letabundus
Ars Nova & Pre-Renaissance
4.07 Ave Regina celorum
4.08 Salve salus servulorum
4.09 Anna mater Matris Christi
4.10 Salve Regina
4.11 Congregati sunt
4.12 Peccantem me quotidie
4.13 Tribulationem et dolorem
4.14 Ecce quomodo moritur justus
4.15 Ad Dominum
CD 05. POLYPHONIC MASS FROM THE MIDDLE AGES TO THE RENAISSANCE (1)
Messe De Notre Dame
5.01 Kyrie
5.02 Gloria
5.03 Credo
5.04 Sanctus
5.05 Angus Dei
5.06 Ite Missa est
Missa Panague Lingua
5.07 Kyrie
5.08 Gloria
5.09 Credo
5.10 O Salutaris
5.11 Agnus
Messe "La Bataille)
5.12 Kyrie
5.13 Gloria
5.14 Credo
5.15 Sanctus
5.16 Agnus Dei
CD 06. POLYPHONIC MASS FROM THE MIDDLE AGES TO THE RENAISSANCE (2)
Missa "Tous Les Regretz"
6.01 Kyrie
6.02 Gloria
6.03 Credo
6.04 Sanctus
6.05 Agnus Dei
Missa Viri Galilaei
6.06 Kyrie
6.07 Gloria
6.08 Credo
6.09 Sanctus
6.10 Benedictus
6.11 Agnus Dei I
6.12 Agnus Dei II
Mass For 4 Voices
6.13 Kyrie
6.14 Gloria
6.15 Credo
6.16 Sanctus
6.17 Benedictus
6.18 Agnus Dei
CD 07. THE FRENCH "PETIT MOTET" AND "GRAND MOTET"
Grand Monet
7.01 Memorare
7.02 Dies irae
Super flumina Babilonis (1687)
7.03 Super flumina
7.04 In salicibus
7.05 Quia illic interrogaverunt nos
7.06 Hymnum cantate nobis
7.07 Si oblitus fuero tui,
7.08 Adhaereat lingua mea
7.09 Memor esto, Domine
7.10 Filia Babilonis misera (soli)
7.11 Filia Babilonis misera (choeur)
Te Deum H.146
7.12 Prélude
7.13 Te Deum laudamus
7.14 Te aeternum Pater
7.15 Te per orbem terrarum
7.16 Tu devicto mortis aculeo,
7.17 Te ergo quaesumus
7.18 Aeterna fac cum Sanctis tuis
7.19 Dignare Domino
7.20 Fiat misericordia tua Domine
7.21 In te Domine speravi
Petit Motet
7.22 Ave Coeli
7.23 Miserator et misericors (Ps. 144 & 67)
CD 08. LEMENTATIONS & TENEBRAE
Musica super Threnos Ieremiae prophete in maiori hebdomada decantadas à 5 Feria V. In coena Domini
8.01 Lectio prima
8.02 Lectio Secunda
8.03 Lectio Tertia
Lamentationes Hieremiae Feria sexta in Parasceve à 5
8.04 De lamentatione Jeremiæ Prophetæ
8.05 Lamentatio Secunda
8.06 Lamentatio Tertia
Leçons de Ténèbres du Mercredy Sainct
8.07 Seconde Leçon du Mercredy
Leçons de Ténèbres
8.08 Troisième Leçon
Hieremie prophetae Lamentationes
8.09 Lectio Secunda
CD 09. BAROQUE VESPERS (1)
Vespro della Beata Vergine (I)
9.01 Deus in adjutorium
9.02 Antiphona - Dixit Dominus (Psalmus 109)
9.03 Nigra sum (Concerto)
9.04 Laudate Pueri (Psalmus 112)
9.05 Pulchra es (Concerto)
9.06 Antiphona - Laetatus sum (Psalmus 121)
9.07 Duo Seraphim (Concerto)
9.08 Antiphona - Nisi Dominus (Psalmus 126)
9.09 Audi Coelum (Concerto)
9.10 Antiphona Lauda Jerusalem (Psalmus 147)
9.11 Sonata sopra “Sancta Maria ora pro nobis”
9.12 Ave maris stella (Hymnus)
CD 10. BAROQUE VESPERS (2)
Vespro della Beata Vergine
10.01 Antiphona - Magnificat
Vespro solenne
10.02 Dixit Dominus (Psalmus 109)
10.03 Confitebor (Psalmus 110)
10.04 Beatus vir (Psalmus 111)
10.05 Laudate pueri (Psalmus 112)
10.06 Lauda Jerusalem (Psalmus 147)
10.07 Magnificat
CD 11. GREAT ORATORIOS (1)
Cain overo Il primo omicidio
Introduzzione all’Oratorio
11.01 Spiritoso
11.02 Adagio
11.03 Allegro
Parte Prima
11.04 Recitativo
11.05 Aria
11.06 Recitativo
11.07 Aria
11.08 Recitativo
11.09 Aria
11.10 Recitativo
11.11 Aria
11.12 Recitativo
11.13 Aria
11.14 Recitativo
11.15 Aria
11.16 Recitativo
11.17 Duetto
11.18 Recitativo
11.19 Sinfonia
11.20 Recitativo
11.21 Aria
11.22 Recitativo
11.23 Recitativo
11.24 Aria
11.25 Sinfonia
11.26 Recitativo
11.27 Aria
11.28 Recitativo
11.29 Aria
11.30 Recitativo
11.31 Duetto
11.32 Recitativo
CD 12. GREAT ORATORIOS (2)
Cain overo Il primo omicidio (II)
Parte Seconda
12.01 Recitativo
12.02 Aria
12.03 Aria
12.04 Recitativo
12.05 Recitativo
12.06 Andante e staccato
12.07 Recitativo
12.08 Recitativo
12.09 Aria
12.10 Recitativo
12.11 Aria
12.12 Recitativo
12.13 Aria
12.14 Recitativo
12.15 Aria
12.16 Grave, e orrido - Recitativo
12.17 Aria
12.18 Recitativo
12.19 Aria
12.20 Aria
12.21 Aria
12.22 Aria
12.23 Recitativo
12.24 Aria
12.25 Recitativo
12.26 Aria
12.27 Recitativo
12.28 Aria
12.29 Recitativo
12.30 Aria
12.31 Recitativo
12.32 Duetto
CD 13. GREAT ORATORIOS (3)
Messiah (I)
Part I
13.01 Sinfonia
13.02 Recitative
13.03 Air
13.04 Chorus
13.05 Recitative
13.06 Air
13.07 Recitative
13.08 Recitative - Air - Chorus
13.09 Recitative - Air
13.10 Chorus
13.11 Pastoral Symphony
13.12 Recitative - Recitative - Recitative - Chorus
13.13 Air
13.14 Recitative - Air
13.15 Chorus
Part II
13.16 Chorus
13.17 Air
13.18 Chorus - Chorus
CD 14. GREAT ORATORIOS (4)
Messiah (II)
14.01 Recitative - Chorus
14.02 Recitative - Air - Recitative
14.03 Air
14.04 Chorus
14.05 Recitative - Chorus
14.06 Air
14.07 Chorus
14.08 Air
14.09 Chorus
14.10 Air
14.11 Chorus
14.12 Recitative - Air
14.13 Chorus
Part III
14.14 Air
14.15 Chorus
14.16 Recitative - Air
14.17 Recitative - Duet - Chorus
14.18 Air
14.19 Chorus
14.20 Chorus
CD 15. GREAT ORATORIOS (5)
Paulus, oratorio op.36 (I)
Première partie
15.01 Ouvertüre
15.02 N°1 Chor
15.03 N°2 Choral
15.04 N°3 Rezitativ
15.05 N°4 Chor
15.06 N°5 Rezitativ & Chor
15.07 N°6 Aria
15.08 N°7 Rezitativ & Chor
15.09 N°8 Rezitativ & Choral
15.10 N°9 Rezitativ
15.11 N°10 Chor
15.12 N°11 Rezitativ & Aria
15.13 N°12 Rezitativ & Arioso
15.14 N°13 Rezitativ mit Chor
15.15 N°14 Chor
15.16 N°15 Choral
15.17 N°16 Rezitativ
15.18 N°17 Aria
15.19 N°18 Rezitativ
15.20 N°19 Aria mit Chor
15.21 N°20 Rezitativ
15.22 N°21 Chor
CD 16. GREAT ORATORIOS (6)
Paulus, oratorio op.36 (II)
Deuxième partie
16.01 N°22 Chor
16.02 N°23 Rezitativ
16.03 N°24 Duettino
16.04 N°25 Chor
16.05 N°26 Rezitativ & Arioso
16.06 N°27 Rezitativ - Chor
16.07 N°28 Chor - Choral
16.08 N°29 Rezitativ
16.09 N°30 Duetto
16.10 N°31 Rezitativ
16.11 N°32 Chor
16.12 N°33 Rezitativ
16.13 N°34 Chor
16.14 N°35 Rezitativ - Aria - Chor
16.15 N°36 Rezitativ
16.16 N°37 Chor
16.17 N°38 Rezitativ
16.18 N°39 Cavatine
16.19 N°40 Rezitativ
16.20 N°41 Chor & Rezitativ
16.21 N°42 Chor
16.22 N°43 Rezitativ
16.23 N°44 Schlußchor
CD 17. MUSIC FOR THE REFORMED CHURCH (1)
Chansons Et Psaumes De La Reforme
17.01 Claudin de Sermisy
17.02 Paschal de l’Estocart
9 Psalm Tunes for Archbishop Parker’s Psalter
17.03 First Tune: Man blest no doubt
17.04 Second Tune: Let God arise
17.05 Third Tune: Why fum’th in fight
17.06 Fourth Tune: O come in one to praise the Lord
17.07 Fifth Tune: E’en like the hunted hind
17.08 Sixth Tune: Expend, O Lord
17.09 Seventh Tune: Why brag’st in malice
17.10 Eighth Tune: God grant with grace
17.11 Veni creator: Come Holy Ghost
17.12 Remember not, Lord, our offences
17.13 Concert in Form einer teutschen Begräbnis
Deutsche Kantaten
Hemmt eure Tränenflut
17.14 Hemmt eure Tränenflut
17.15 Der Stein war allzu groß
17.16 Die Christi Grab bewacht sind weg
17.17 Verlaß ich gleich die Welt
17.18 Amen
Missa brevis in F-dur
17.19 1. Kyrie
17.20 2. Gloria
17.21 3. Domine Deus
17.22 4. Qui tollis
17.23 5. Quoniam
17.24 6. Cum Sancto Spiritu
CD 18. MUSIC FOR THE REFORMED CHURCH (2)
Weihnachts-Oratorium
Erster Teil / Am ersten Weihnachtstag
18.01 1. Chor
18.02 2. Rezitativ
18.03 3. Rezitativ
18.04 4. Arie
18.05 5. Choral
18.06 6. Rezitativ
18.07 7. Choral - Rezitativ
18.08 8. Arie
18.09 9. Choral
Zweiter Teil / Am zweiten Weihnachtstag
18.10 10. Sinfonia
18.11 11. Rezitativ
18.12 12. Choral
18.13 13. Rezitativ
18.14 14. Rezitativ
18.15 15. Arie
18.16 16. Rezitativ
18.17 17. Choral
18.18 18. Rezitativ
18.19 19. Arie
18.20 20. Rezitativ
18.21 21. Chor
18.22 22. Rezitativ
18.23 23. Choral
Dritter Teil / Am dritten Weihnachtstag
18.24 25. Rezitativ
18.25 26. Chor
18.26 27. Rezitativ
18.27 27. Rezitativ
18.28 29. Duett
18.29 29. Duett
18.30 30. Rezitativ
18.31 31. Arie
18.32 32. Rezitativ
18.33 33. Choral
CD 19. MUSIC FOR THE REFORMED CHURCH (3)
Weihnachts-Oratorium
19.01 34. Rezitativ
19.02 35. Choral
19.03 Chor
Vierter Teil / Am Fest der Beschneidung Christi
19.04 36. Chor
19.05 37. Rezitativ
19.06 38. Rezitativ - Choral
19.07 39. Arie
19.08 40. Rezitativ - Choral
19.09 41. Arie
19.10 42. Choral
Fünfter Teil / Am Sonntag nach Neujahr
19.11 43. Chor
19.12 44. Rezitativ
19.13 45. Chor - Rezitativ
19.14 46. Choral
19.15 47. Arie
19.16 48. Rezitativ
19.17 49. Rezitativ
19.18 50. Rezitativ
19.19 51. Terzett
19.20 52. Rezitativ
19.21 53. Choral
Sechster Teil / Am Epiphaniasfest
19.22 54. Chor
19.23 55. Rezitativ - Rezitativ
19.24 56. Rezitativ
19.25 57. Arie
19.26 58. Rezitativ
19.27 59. Choral
19.28 60. Rezitativ
19.29 61. Rezitativ
19.30 62. Arie
19.31 63. Rezitativ
19.32 64. Choral
CD 20. STABAT MATER (1)
Stabat Mater
20.01 Duo: Stabat Mater Dolorosa
20.02 Aria: Cuius animam gementem
20.03 Duo: O quam tristis et afflicta
20.04 Aria: Quæ moerebat et dolebat
20.05 Duo: Quis est homo, qui non fleret
20.06 Aria: Vidit suum dulcem natum
20.07 Aria: Eja, Mater, fons amoris
20.08 Duo: Fac, ut ardeat cor meum
20.09 Duo: Sancta Mater, istud agas
20.10 Aria: Fac, ut portem Christi mortem
20.11 Duo: Inflammatus et accensus
20.12 Duo: Quando corpus morietur - Amen
Stabat Mater G. 532
20.13 Stabat Mater dolorosa. Grave assai
20.14 Cujus animam gementem. Allegro
20.15 Quae moerebat et dolebat. Allegretto con motto
20.16 Quis est homo. Adagio assai / Recitativo
20.17 Pro peccatis suae gentis. Allegretto
20.18 Eja mater, fons amoris. Larghetto non tanto
20.19 Tui nati vulnerati. Allegro vivo
20.20 Virgo virginum praeclara. Andantino
20.21 Fac ut portem Christi mortem. Larghetto
20.22 Fac me plagis vulnerari. Allegro commodo
20.23 Quando corpus morietur. Andante lento
CD 21. STABAT MATER (2)
Stabat Mater RV 621
21.01 Stabat Mater dolorosa. Largo
21.02 Cujus animam gementem. Adagio
21.03 O quam tristis. Andante
21.04 Quis est homo. Largo
21.05 Quis non posset. Adagio
21.06 Pro peccatis suae gentis. Andante
21.07 Eja mater, fons amoris. Largo
21.08 Fac ut ardeat. Lento
21.09 Amen. Allegro
Stabat Mater
21.10 I. Introduzione. Andante moderato. Stabat Mater dolorosa
21.11 II. Aria. Allegretto maestoso. Cujus animam gementem
21.12 III. Duetto. Largo. Quis est homo, qui non fleret
21.13 IV. Aria. Allegretto maestoso. Pro peccatis suae gentis
21.14 V. Coro e Recitativo. Andante mosso. Eja Mater, fons amoris
21.15 VI. Quartetto. Allegretto moderato. Sancta Mater, istud agas
21.16 VII. Cavatina. Andante grazioso. Fac, ut portem Christi mortem
21.17 VIII. Aria e Coro. Andante maestoso. Inflammatus et accensus
21.18 IX. Quartetto. Andante. Quando corpus morietur
21.19 X. Finale. Allegro. In sempiterna saecula. Amen
CD 22. Requiem (1)
Requiem K. 626
I. Introitus
22.01 Requiem aeternam (Adagio)
II. Kyrie
22.02 (Allegro)
III. Sequenz
22.03 1. Dies Irae (Allegro assai)
22.04 2. Tuba mirum (Andante)
22.05 3. Rex tremendae
22.06 4. Recordare
22.07 5. Confutatis (Andante)
22.08 6. Lacrimosa (Larghetto)
IV. Offertorium
22.09 1. Domine Jesu (Andante con moto)
22.10 2. Hostias (Andante. Andante con moto)
V. Sanctus
22.11 (Adagio. Allegro)
VI. Benedictus
22.12 (Andante. Allegro)
VII. Agnus Dei
22.13 Agnus Dei
VIII. Communio
22.14 Lux aeterna
Kyrie
22.15 K.341
CD 23. REQUIEM (2)
Ein deutsches Requiem op.45
23.01 Selig sind, die da Leid tragen (Choeur)
23.02 Denn alles Fleisch, es ist wie Gras (Choeur)
23.03 Herr, lehre doch mich, daß ein Ende mit mir haben muß (Baryton et choeur)
23.04 Wie lieblich sind deine Wohnungen, Herr Zebaoth (Choeur)
23.05 Ihr habt nur Traurigkeit (Soprano et choeur)
23.06 Denn wir haben hie keine bleibende Statt (Baryton et choeur)
23.07 Selig sind die Toten, die in dem Herren sterben (Choeur)
CD 24. REQUIEM (3)
Requiem op.48
24.01 I. Introït
24.02 II. Offertoire
24.03 III. Sanctus
24.04 IV. Pie Jesu
24.05 V. Agnus Dei
24.06 VI. Libera me
24.07 VII. In Paradisum
Requiem, op. 9
24.08 Introït
24.09 Kyrie
24.10 Domine Jesu Christe
24.11 Sanctus
24.12 Pie Jesu
24.13 Agnus Dei
24.14 Lux aeterna
24.15 Libera me
24.16 In Paradisum
CD 25. 19TH AND 20TH CENTURIES - LES TEMPS MODERNES (1)
Missa Solemnis op.123 en Ré majeur
25.01 Kyrie
25.02 Gloria
25.03 Credo
25.04 Sanctus
25.05 Benedictus
25.06 Agnus Dei
CD 26. 19TH AND 20TH CENTURIES - LES TEMPS MODERNES (2)
26.01 Psalm 100
26.02 Psalm 2 op.78 Nr.1
26.03 Psalm 43 op.78 Nr.2
26.04 Psalm 22 op.78 Nr.3
26.05 Choralmotette op.23 Nr.3
26.06 Motette op.69 Nr.1
26.07 Motette op.69 Nr.2
26.08 Motette op.69 Nr.3
26.09 Missa breve
26.10 Zum Abendsegen
Motets
26.11 Ave Maria
26.12 Christus factus est
26.13 Os justi
26.14 Locus iste
26.15 Vexilla regis
CD 27. 19TH AND 20TH CENTURIES - LES TEMPS MODERNES (3)
Quatre motets pour un temps de pénitence (1938-39)
27.01 Timor et tremor. Largement
27.02 Vinea mea electa. Tendrement et mélancoliquement lent
27.03 Tenebræ factæ sunt. Très lent
27.04 Tristis est anima mea. Très calme
Quatre motets pour le temps de Noël (1952)
27.05 O magnum mysterium. Très calme et doux
27.06 Quem vidistis pastores dicite. Allegretto
27.07 Videntes stellam. Calme et doux
27.08 Hodie Christus natus est. Allegro maestoso
Messe en Sol majeur (1939)
27.09 I. Kyrie. Animé et très rythmé
27.10 Il. Gloria. Très animé
27.11 III. Sanctus. Très allant et doucement joyeux
27.12 IV. Benedictus. Calme mais sans lenteur
27.13 V. Agnus Dei. Très pur, très clair modéré
MASS : A Theatre Piece for Singers, Players and Dancers (I)
I. Devotions before Mass
27.14 1. Antiphon: “Kyrie eleison”
27.15 2. Hymn and Psalm: A simple song
27.16 3. Responsory: “Alleluia”
II. First Introit (Rondo)
27.17 1. Prefatory Prayers
27.18 2. Thrice – Triple Canon: Dominus vobiscum
III. Second Introit
27.19 1. In nomine Patris
27.20 2. Prayer for the Congregation
27.21 3. Epiphany
IV. Confession
27.22 1. Confiteor
27.23 2. Trope: “I don’t know”
27.24 3. Trope: “Easy”
CD 28. 19TH AND 20TH CENTURIES - LES TEMPS MODERNES (4)
MASS : A Theatre Piece for Singers, Players and Dancers (II)
V. Meditation
28.01 Meditation No. 1
VI. Gloria
28.02 1. Gloria tibi
28.03 2. Gloria in excelsis
28.04 3. Trope: “Half of the People”
28.05 4. Trope: “Thank you”
VII. Meditation
28.06 Meditation No. 2
VIII. Epistle
28.07 Epistle “The Word of Lord”
IX. Gospel-Sermon “God said”
28.08 Gospel-Sermon “God said”
X. Credo
28.09 1. Credo in unum Deum
28.10 2. Trope: “Non Credo”
28.11 3. Trope: “Hurry”
28.12 4. World Without End
28.13 5. Trope: “I Believe in God”
XI. Meditation No.3
28.14 De profundis, part 1
XII. Offertory
28.15 De profundis, part 2
XIII. The Lord’s Prayer
28.16 1. “Our father…”
28.17 2. Trope: “I Go On”
XIV. Sanctus
28.18 Holy! Holy! Holy!...
XV. Agnus Dei
28.19 Agnus Dei
XVI. Fraction
28.20 Things Get Broken
XVII. Pax: Communion
28.21 Secret Songs
CD 29. ORTHODOX CHURCH MUSIC
Orthodox Chant 17th & 18th Centuries
29.01 Let my prayer arise (No. 2)
29.02 Now the Powers of Heaven
29.03 The Cherubic Hymn (No. 7)
29.04 Glory / Only-begotten Son
29.05 In the flesh Thou didst fall asleep
29.06 I lift up my eyes to the mountains (Choral Concerto No. 24)
29.07 Praise the Name of the Lord
29.08 With my voice I cried out to the Lord (Choral Concerto No. 27)
29.09 By the rivers of Babylon
29.10 Lord, make me to know my end (Choral Concerto No. 32)
All-Night Vigil op.37. Vespers
29.11 Come, let us worship
29.12 Praise the Lord, O my soul
29.13 Blessed is the man
29.14 O gentle light
29.15 Lord, now lettest Thou
29.16 Rejoice, O Virgin
CD 30. PDF CD-ROM - TEXTES CHANTES
Notes
CD1 Early Christian Chant (5th -13th Century)
Chant, chant, chant! You won't want to listen to this many times unless you are a chant specialist.
CD2 Gregorian Chant
Includes Messe de Requiem gregorienne, Cistercian Chant and Magnus liber organi More chant...
CD3 Birth of Polyphony (1100-1300)
Includes music from Notre-Dame School, hockets from the Bamberg Manuscript, etc., etc. Now it's getting more interesting!
CD4 Polyphonic Motet from Ars Antiqua to the Renaissance
Includes 14th Century English music (Hilliard Ensemble), Dufay, Dunstable, Plummer, and from the Renaissance Desprez, Janequin, Byrd, Gesualdo and Hassler
CD5&6 Polyphonic Mass from Middle Ages to the Renaissance
Machaut - Messe de Notre Dame, Desprez - Missa Pange Lingua, Janequin - Messe `La Bataille'
Lassus - Missa `Tous les regretz', Palestrina - Missa `Viri Galilaei, Byrd - Mass for 4 Voices
CD7 French `Petit Motet' and `Grand Motet'
Dumont, Lully, Delalande and Charpentier Te Deum.
CD8 Lamentations & Tenebrae
Music by Massaino, Lassus, Charpentier, Couperin, and Krenek
CD9/10 Monteverdi Vespro della beata Vergine - Herreweghe
In my opinion not such a good recording as the one by Rene Jacobs, but nice to have to compare.
Also Vespro Solenne by G Rovetta (1596-1668) from Cantus Colln and Konrad Junghanel. This is beautiful!
CD11/12 Alessandro Scarlatti - Cain overo Il Primo Omicidio - Rene Jacobs
A great recording of Scarlatti's oratorio of the story of Cain and Abel. Good orchestral playing, excellent soloists.
CD13/14 Handel - Messiah - Les Arts Florissants, William Christie
A very creditable Messiah. It certainly beats both my Huddersfield Choral Society and my Bernstein version, and comes pretty close to the more exciting Rene Jacobs version. The soloists here are good - Barbara Schlick, Sandrine Piau, Andreas Scholl (excellent), Mark Padmore and Nathan Berg.
CD15/16 Mendelssohn - Paulus - Herreweghe
This work was new to me, and on a single hearing is beautifully performed, if perhaps a little understated.
CD17 Music for the Reformed Church
Music by Sermisy, L'Estocart, Tallis, Purcell, Schutz, Bruhns and a Missa brevis in F by Bach.
The Bruhns cantata made me want to investigate his music further.
CD18&19 Bach - Christmas Oratorio - Rene Jacobs
A simply stunning recording. Soloists are Dorothea Roschmann, Andreas Scholl, Werner Gura and Klaus Hager.
CD20&21 Stabat Mater
On these CDs we get Stabat Maters by Pergolesi (the well known Rene Jacobs/Sebastian Hennig performance), Boccherini (Agnes Mellon/Ensemble 415/Chiara Banchini), Vivaldi (Scholl/Ensemble 415/Chiara Banchini) and Rossini (RIAS Kammerchor/Creed). The Rossini work was new to me, and particularly appealed.
CD22/23/24 Requiem
On three CDs we get the Requiems by Mozart (Herreweghe), Brahms (Herreweghe), Faure (1893 version) (also Herreweghe), and Durufle (Magdalen College Oxford)
CD25/26/27/28 19th & 20th Centuries
Beethoven - Missa Solemnis (Herreweghe), Mendelssohn - various motets, Bruckner - motets
Poulenc - 8 motets & Messe en Sol majeur, Bernstein - Mass - what a gloriously mixed up work - bass guitar meets marching band with a bit of West Side Story and Jesus Christ Superstar thrown in for good measure!
CD29 Orthodox Church Music - 80mins
Various pieces from the 17th & 18th century and Rachmaninov - All Night Vigil Op37 Vespers all superbly sung by the Estonian Chamber Choir.
CD30 PDF file of all the texts
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